By Laurie Ouellette
Overseas in scope and extra accomplished than latest collections, A better half to fact Television provides an entire advisor to the research of truth, authentic and nonfiction tv leisure, encompassing a variety of codecs and incorporating state-of-the-art paintings in severe, social and political theory.
- Original in bringing state-of-the-art paintings in severe, social and political idea into the dialog approximately fact TV
- Consolidates the newest, broadest diversity of scholarship at the politics of fact tv and its vexed dating to tradition, society, identification, democracy, and “ordinary humans” within the media
- Includes primetime truth leisure in addition to precursors resembling daylight hours speak exhibits within the scope of discussion
- Contributions from a listing of overseas, best students during this field
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Extra info for A Companion to Reality Television
140–153. Raphael, C. (2009) The political economic origins of reali-TV, in S. Murray and L. Ouellette (eds), Reality TV: Remaking Television Culture, 2nd edn, New York: New York University Press, pp. 123–140. Redden, G. (2008) Economy and reflexivity in makeover television, Continuum, 22 (4), pp. 485–494. Rojek, C. (2001) Celebrity, London: Reaktion. Rose, N. (1996) Inventing Our Selves: Psychology, Power, and Personhood, Cambridge: Cambridge University Press. Ross, S. (2008) Beyond the Box: Television and the Internet, Oxford: Wiley-Blackwell.
2001) Living on Dawson’s Creek: teen viewers, cultural convergence, and television overflow, International Journal of Cultural Studies, 4 (4), pp. 456–472. Caudle, M. (2011) The Reality of Reality TV: Reality Show Business Plans, New Orleans, LA: On the Lot Productions. Collins, S. (2008) Making the most out of 15 minutes: reality TV’s dispensable celebrity, Television & New Media, 9 (2), pp. 87–110. Curtin, M. (2009) Matrix media, in G. Turner and J. Tay (eds), Television Studies after TV: Understanding Television in the Post-broadcast Era, New York: Routledge, pp.
Queen for a Day, Strike it Rich), soliciting donations has not been a common practice on popular television programming and is still comparatively rare. One prominent example, Extreme Makeover: Home Edition, relied on pre-established capital networks but asked businesses to perform aberrantly within a middle realm of ambiguous discourse that is neither strictly commercial nor noncommercial. By amalgamating gift and market economies, a donation can produce appropriately targeted product placement (items people really need) as well as generate good publicity for the donor.
A Companion to Reality Television by Laurie Ouellette