By Abby Whiteside
Abby Whiteside (1881-1956) constructed a innovative method of piano process, the assumption of a "basic rhythm" concerning the total physique that permits scholars to precise the basic emotional rhythm of the track, in addition to to play with out the danger of the wounds that often afflict pianists. Her principles on piano pedagogy stay crucial at the present time.
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Extra resources for Abby Whiteside on Piano Playing : Indispensables of Piano Playing - Mastering the Chopin Etudes and Other Essays
Just as emphatically there must be a physical activity which sets up the phrase as a whole, as well as the activity which produces the details. Leave out the physical activity which belongs to the phrase-wise procedure and we have left only the physical activity which belongs to a note-wise procedureexactly what happens in all ugly piano playing. The physical activity which sets up a phrase-wise procedure has its inception in the top arm. If only piano playing emphasized and demanded a rhythmic balancingso necessary in skating to avoid a mishapthe beauty in output would be greatly increased.
Difficulties Peculiar to the Piano 18 4. A Simple Statement of Activity in Torso and Arms. An Explanation of Terms Used in Relation to a Specific Action 23 5. Techniques Other than with Fingers 30 6. Some Questions and Answers Dealing with Traditional Teaching Methods 46 7. ImageryMemorizingPedalingPhrasingChanneling of Emotion 59 8. Analysis of the Playing Mechanism as Related to the Use of Distance: HorizontalVerticalIn-and-Out 67 9. Analysis of the Playing Mechanism as Related to the Use of Power Plus Distance: Repeated ActionTrillsDouble NotesOctavesArpeggiosScales 76 10.
It is also true that the excitement influences the use of their power without interfering with the action for producing pitch. But even so, can you imagine a like phrase in beauty being produced unless the excitement of the playing has a chance to be linked with a power which can be related to phrase-wise production? Getting excited and having no channel for expressing that excitement, except with a hitting or fingering process, means sheer mutilation to a phrase-wise procedure. For the pianist there must be a rhythm somewhere other than in the hitting process.
Abby Whiteside on Piano Playing : Indispensables of Piano Playing - Mastering the Chopin Etudes and Other Essays by Abby Whiteside