By James McKinnon
From the sequence analyzing the improvement of track in particular locations in the course of specific instances, this ebook seems at old and medieval tune, from Classical and Christian antiquity to the emergence of the Gregorian chant and the medieval city and Court.
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Additional info for Antiquity and the Middle Ages: From Ancient Greece to the 15th century
What did these distinctions amount to, and how did they arise? These questions are difficult, not least because of the state of the evidence that bears on them. The data include poems from the archaic period itself, mostly fragmentary; 1 comments about the past by writers of the classical era (the fifth and fourth centuries), not always unprejudiced or well directed; the essays and encyclopedias of scholars in later antiquity, whose sources cannot always be identified, or trusted where they are known, and whose judgment is as fallible as any historian's must be; 2 and finally we must make what we can of the mute evidence presented by archaeologists, especially their priceless treasury of painted pottery.
He boasted, indeed, that he would be the winner even if the Muses themselves sang against him, and he was struck blind and deprived of his skills in punishment for his blasphemous arrogance. This little story points unequivocally to the context in which musical excellence, as contrasted with simple enjoyment or the performance of religious function, was recognized and pursued in its own right, and kithariidia was certainly among the earliest genres to be established as a focus for competition.
Music was no less important than the other arts. The technical innovation of the so-called four prolations, allowing a flexible range of duple, triple and compound metres, changed music as fundamentally and as suddenly as any other such development in its history, as Daniel Leech-Wilkinson points out in Chapter IX. It made possible the Ars Nova of early fourteenth-century music, and it is interesting to note that Occam's contemporary philosophy is similarly referred to as the via moderna. Its chief beneficiary was Guillaume de Machaut (d 1377), a truly great composer, perhaps the first whose music has an immediate and deep appeal to twentieth-century listeners.
Antiquity and the Middle Ages: From Ancient Greece to the 15th century by James McKinnon